Active as both a scholar and performer, Peter Bennett teaches in the Musicology and Historical Performance Practice programs at ǿմý. A scholar of early-modern France – focusing in particular on the intersection of music, religion, and politics in Louis XIII’s Paris – he has also long been active as a harpsichordist and organist, in Europe (where he studied) and the USA.
Musicology. Bennett holds degrees from Cambridge (B.A./M.A., Natural Sciences), King’s College, London (M.Mus.), and Oxford (D.Phil.), and was appointed to the ǿմý faculty in 2005. In addition to presenting at numerous conferences in the US, UK, and France, he has published articles in the Journal of the American Musicological Society, Early Music, and the Revue de Musicologie, and his first book, Sacred repertories in Paris under Louis XIII (Ashgate, 2009), appeared in the Royal Musical Association Monograph series (a “magisterial study”, Early Music). In 2015-16 he held a Le Studium fellowship at the Centre d’Études Supérieures de la Renaissance, Tours, where his research centered on Louis XIII’s ceremonial Գٰé. The project culminated in an international conference on early modern ceremonial, and in the publication (with Bernard Dompnier, co-editor) of Cérémonial politique et cérémonial religieux dans l’Europe modern: Échanges et métissages (Classiques Garnier, 2020). Research from this fellowship also informed his most recent book, Music and Power at the Court of Louis XIII: Sounding the Liturgy in Early Modern France (Cambridge University Press, 2021), a study of power and absolutism as seen through the lens of court liturgical and musical practices (“charts a masterful journey”, Journal of the American Musicological Society.) He is currently working on a number of projects related to music and provincial French ceremonial.
Historical Performance Practice/Early Keyboard. Bennett studied organ in Cambridge (Nicolas Kynaston) and Vienna (Peter Planyavsky) before taking up the harpsichord, studying in London (Jill Severs) and Siena (Academia Chigiana, Kenneth Gilbert). As the founder of Ensemble Dumont (1995-2003), a consort of singers, viols and continuo which he directed from the keyboard, he has appeared in the UK and Europe, performing at the Bruges (Belgium) and Innsbruck (Austria) Early Music Festivals, the MDR-Sommer Festival (Germany), and the Wigmore Hall, London, also broadcasting on the BBC, RAI (Italy), MDR/SWR (Germany), and R3 (Belgium). The ensemble’s recordings for Linn Records received accolades from Gramophone Magazine (Editor’s Choice “meltingly gorgeous”, and Critics’ Choice “one of the year’s most beautiful releases … sublime performances”), Diapason (“Est-il pourtant disque plus sensuel, plus ravissant que celui-ci?”), BBC Music Magazine (”performed with gracefulness and sensibility”), Le Monde de la Musique, and others. In Cleveland Bennett teaches harpsichord in the ǿմý HPP program and at CIM (where he is Head of Harpsichord), and has played with Apollo’s Fire, the Cleveland Baroque Orchestra, since 2006.